![]() ![]() “If you’re lucky, you have actors who will give you that kind of variety with what takes you pick, what you leave in, what you leave out. “I’ve been in situations where the tone of the film is firmly established, reconfigured, reorganized in the editing process,” Lynch, an editor himself, says. Lynch knew that to properly balance frights and laughs the film would have to go through a particular metamorphosis in the editing bay. We can allow ourselves to chew a little scenery because you know what that character is relishing at this moment.”ĭO use the editing process to make sure all of your moments land On set, I was quality control of the Entity and making sure that we weren’t going too big or too small, and we were always staying in the pocket with those characters. It became the way it spoke, the way it gesticulated. All the actors knew the rhythms of this mischievous Entity and we formulated it together. ![]() So we took that word and popped that in somewhere earlier too. ![]() There was a moment that was born from one of those riff sessions where one of the characters says “dandy.” Something about that old line felt like something no one would say anymore. “We needed to have little tells that the Entity would have. “I wanted to make sure we bonded everybody together,” Lynch says. One fruitful discussion took place when co-star Barbara Crampton had the team over for drinks at her Airbnb in the days before shooting. Also, we needed someone who wouldn’t be afraid of the sexual side of it too, because that became a major component.”ĭON’T be scared of developing new ideas on the flyĪlthough Lynch was working from a dynamic script, some of the central tenets of the shapeshifting Entity were developed as the cast and crew were hanging out, discussing the film and riffing on the themes. There’s a version of this that she could have just played kooky the entire time, but she has to play so straight that by the time things start happening and bodies start swapping, the audience knows who’s who in a way that isn’t confusing. The part that we worked the most on was the alpha character that she was playing, which was Dr. I knew that she could relish in some of the other characters she would have to play by body-swapping. “Her acting rhythms do not play by the rules at all. “Heather revels in the offbeat,” Lynch says. But it was an early role in 1989’s “Drugstore Cowboy” that first convinced Lynch that she had the “glint in her eye” to play the lead in “Flesh.” Graham is a versatile actor who has played parts in horror movies (2001’s “From Hell”) and comedy (1999’s “Austin Powers: The Spy Who Shagged Me”) alike and is no stranger to surreal, tone-shifting drama, as a player in the “Twin Peaks” universe. I like some dark shit, but most of the movies that I’ve loved in the past are when the audience can be taken on a bit of a roller coaster ride.”ĭO find a lead who can hold on for a wild ride “Sometimes that comes across like you didn’t have anything nice to say. “It’s tough when you’re a filmmaker and someone comes up to you after watching a movie and says, ‘It was really fun,'” he says. Lynch tries to keep fan enjoyment front and center. Given that Lynch nails the tricky tones of horror and comedy, he spoke with Variety about how to make both work.ĭON’T be afraid to let the audience have fun
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